The biggest change that readers will notice is that the ending is longer and there is an epilogue. I freely admit that ending the story as abruptly as I did the first time was a mistake. The other changes are more subtle and are mostly writing style related as opposed to plot related. For example, in the first edition I used the term "for a moment" a lot. People paused for a moment. They looked at each other for a moment. They did many, many things for a moment. And then, they momentarily did other things.
A big thank you to all the readers who overlook that sort of thing. Bless you, bless you for just paying attention to the story and not the writing.
But I still feel much better now that I've changed that type of thing.
You can get a copy here: http://www.amazon.com/Masquerade-ebook/dp/B00AAQVTYU/ref=sr_1_1?ie=UTF8&qid=1353562568&sr=8-1&keywords=masquerade+rallison
Here is the description, that I'm not exactly happy with because it doesn't really convey that the book is a romantic comedy. (Must change that later.)
When Clarissa takes a much needed job under slightly false pretenses, she doesn't think it will be such a big deal. She may have told her movie-star boss that she was married, but that shouldn't matter. After all, she doesn't want anything to do with men for a long, long time.
It's hard for a woman to keep up the masquerade when her boss is as handsome as Slade Jacobson and the job takes her to Hawaii with him. In between handling his whirlwind four-year-old daughter and dealing with a whole cast of Hollywood personalities, Clarissa has to keep a tight hold on her heart.
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