Here's info or you can go to this link for even more details: http://anwa-lds.com/conference
Classes – 36 classes to choose from for all stages, genres, and platforms!
• Workshops – query and pitch workshops on Thursday night
• Faculty - nationally recognized presenters, including NY Times best-selling authors, agents, editors and publishers teach the classes
• Pitch Sessions – Pitch your manuscript to national editors and publishers
• Contests – Enter the Beginning of Book (BOB) Contest with the first 500 words of your manuscript
• Protagonist Ball – Come dressed as your favorite protagonist to mingle, network and have fun with faculty and other attendees
• All-star Breakfast – the first 25 to register for the full conference, and hotel room, receive the opportunity to share a special breakfast with the faculty
• Bookstore – sell your books and/or purchase others’ at our on-site bookstore
Here's teachers and class description in alphabetical order:
Dr. James Blasingame: "The Key Components of a Young Adult Novel"
Erzsi Deak: "Can You Hear Me Now? Dialogue That Speaks Volumes About Your Characters and Pushes Your Plot Forward" - Get ready to take the stage and make the dialogue (in your WIPs/in your writing) work for you. Based on our homework, we'll bring your story alive and see what's pushing your plot forward or making it stumble and listen to what your characters are saying; or aren't saying. This workshop has a cap of 30 participants
Dave Eaton: "Your Online Path to a Bestseller, Part 1: Step One is “Branding” - Become associated with your Genre. When someone says: “Fantasy Romance”, are they thinking of you?
"Part 2: How can I get more “eyes” on my book?" - Online marketing is essential for the new generation of bestselling authors. Take your Kindle Book and “light it on fire” with a 7-Step launch plan.
Lynn Gardner: "The How's, Where's and Why's of Research – And is it Really Necessary?" - This workshop will answer questions like: Can't I just use my very vivid imagination…do I have to infuse reality in a work of fiction? Can I create my own world? Is there an advantage to using famous places as a setting for my novel? Is there any rule for using real locations, real places? Do I have to travel to those places if I put them in my book? Can't I just rely on Wikipedia and Google for my research? Where else can I go for information?
"Creating Characters You Love - Or Hate!" - How do you create characters that will remain in your readers' minds long after they put the book down? Why is a name important? Why should my characters have personality quirks, character flaws and strengths? A bio for my characters…really? Learn the secrets for creating unforgettable characters.
Kathy Gordon: "The 10 Biggest Mistakes Writers Make" - Did you know there are ten basic things you can do to boost your chances of making it out of the slush pile—and eventually getting published? Join us for this somewhat humorous yet critically important look at the "top ten" mistakes authors make (No, Virginia, you're not alone in this), and make sure your next submission is the best one since sliced bread.
"The 10 Biggest Mistakes in Querying an Agent" - Trying to engage an agent is not as easy as taking candy from a baby—and there are ten epic fails you should avoid as you start shopping for the person who will help land your book on store shelves. Find out everything you need to know—from how to write a killer query letter to how to successfully woo potential agents—with this comprehensive set of sure-fire tips.
Jennifer Griffith: "Archetypes, not Stereotypes: Nailing Down Your Main Characters" and "Shine Up Your Story with Conflict"
Leslie Householder: "Self-Published? How to earn a 6-figure Income Giving Your Book Away for Free" - Most authors are lucky to break even on their books. Some of the best messages never get "out there" because a publisher didn't "pick it up". Now you can learn the secrets of becoming a PROFITABLE author, no matter what obstacles get in the way. I'll teach you what I've learned over the last 10 years, going from a novice to an award winning, three-time international best seller. Learn how to position yourself for those (so-called) "lucky breaks" that profitable authors rely on, and even expect. I've written three books and every one of them has achieved best seller status, even though the traditional publishers rejected them. Don't let anyone else's opinion of your work stop you from achieving your goals!
Heather B. Moore: "Historical Fiction: One Genre That Is Here to Stay" - Historical novelist, Heather Moore, will discuss why you can't go wrong with writing historical fiction as long as it's done right. Topics include choosing time periods, world building, dialog choice, avoiding info dumps, characterizing historical figures, expanding historical facts into plot arcs, finding the right conflict to focus on, why you don't have to be an expert or spend ten years in research, how to use your non-fiction platform to sell your novel, and the unmentionables (bibliographies, chapter notes, maps, endorsements from the "experts").
"Life After the First Draft: Steps to Self-Editing" - Finishing the first draft of a manuscript is a major accomplishment, but it's far from ready to submit. Editor/Author Heather Moore will take you through the necessary steps of self-editing and how to use critical feedback from alpha readers effectively. Whether you're writing your first manuscript or your sixth, your next contract may depend on the quality of work you turn in.
Angela Morrison: "Write from your Inner Truth (but don't wreck it)" - Jane Yolen says stories must be based on a writer's inner truth. But, doing the very thing Jane Yolen tells us and our heart urges us to attempt can lead to errors that turn your fiction into something you didn't intend--propaganda rather than fiction. Angela draws from her experience writing Taken by Storm and her exhaustive research to help you keep truth in and didacticism out of your work.
"Free Verse Poetry: A Secret Weapon for Improving your Prose" - In this hands-on workshop, learn the basics of writing free verse, create a new poem using an in-class free write, and practice using free verse techniques to take your prose to a higher level. Bring any paragraph of your own writing, fiction or non-fiction, to hone.
Evan Neill: "Designing a Winning Screenplay (Part 1)" - In the first class of this two-part presentation, I will cover the storytelling in the screenplay, along with common errors and the techniques needed to format a screenplay correctly.
"Designing a Winning Screenplay (Part 2)" - The second class of this two-part presentation will cover how to develop characters through their actions and dialogue. I will also discuss how to get your screenplay noticed once it's been polished and perfected.
James Owen: TBA
Lara Perkins: "Crafting a Can't-Put-Me-Down First Chapter" - A strong, page-turning, addictIng first chapter is the best way to catch an agent or an editor's attention. Your mission, in the first chapter, is to surprise and delight even the most jaded reader and to entice them to continue deeper into your story. In this workshop, I'll discuss what makes a memorable first chapter, what your goals should be as you write and revise your first chapter, and which tried-and-true techniques will help you accomplish those goals.
Aprilynne Pike: "Worldbuilding: The Invisible Foundation" - Not just for fantasy, world building is a key task of any fiction writer. From a wholly-imagined realm to the house next door, find out how to make the world in your story believable. What you need to know, what's optional, and why almost none of it ends up in the book.
Janette Rallison: The romance genre is going strong. Come learn the do's and don't's to make your romance sellable. Avoid pitfalls like insta-love and the ever dreaded sagging middle. Learn how to make sparks fly and keep the tension going.
Chris Schoebinger: “The 5 Things You Should Know Before Submitting Your Manuscript to a Publisher” - No one likes a rejection letter. However, there are things you can do to get your submission noticed and into a hands of a decision maker. Learn what acquisitions editors are looking for. Plus, Chris takes you on a virtual tour of Deseret Book/Shadow Mountain Publishing with some special authors that have dropped in to give some advice to writers.
Marsha Ward: "The Indie Author: No Longer a Stepchild in the Publishing Family" - Are you tired of battling windmills to get your book into the gatekeepers'hands? Do you feel the squeeze of frustration because your time is running out? This workshop explores the phenomonal rise of the Indie Author in our time. Learn what "the long tail" means. Discover the tools you need to make the "Book of Your Heart" available to the true gatekeepers: readers. Is your manuscript nearing completion (within a year)? Bring your computer and be prepared to open a free account for print book production at a leading provider of Print-On-Demand books. And no, they won't charge you any exorbitant fees.
"eBooks: The Rising Generation in the Publishing Family" - Making an ebook is not as scary as you thought. Whether you write non-fiction, poetry, memoirs, short stories, or novels, this workshop answers your nagging questions and sets to rest your self-doubts. Learn what you need to know about this technological miracle. Get the tools you need to enable you to break into the publishing family at little or no cost. Bring your e-reading device or computer so you can download the best guide you can get to prepping your manuscript for ebook conversion, and it's free!
Stacy Whitman: "Writing Cross-Culturally" - Whether you're a delving for the first time into a character's head who isn't from your own culture, or writing from your own cultural perspective, often your readers will be a diverse lot. How do we navigate the spaces between where we come from, where our characters come from, and where our readers come from without infodumping or sounding didactic? Editor Stacy Whitman of Tu Books will talk about the growing need for diversity in our books and how to know what questions to ask to begin to get it right.
Wishing I could come; it sounds great!
They're always so much fun. Writers are just great to hang out with.
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